Clarence white eight miles high12/31/2023 ![]() But the Rickenbackers were strung with a high string last, so you hit the low string and the high string, which gave it more of a ring. On a 12-string, the high string is usually first when you pluck down. It’s only about 2″ thick, but it’s got a ring to it – the pickups they use and the way they string it, with the high string last. There’s something interesting about its hollow body. What makes the Rickenbacker 12-string unique for you compared to other guitars? So I went to the guitar store and traded an acoustic 12-string and a five-string banjo to get a Rickenbacker 12-string. We saw A Hard Day’s Night, and George Harrison had a Rick 12 in the movie. How did you first choose the Rickenbacker that became so important to the Byrds’ sound? I got my first 12-string in ’57 or ’58 and it influenced my later work with the Byrds because I’d already been playing it. He was kind of a student of Peter Seeger, whose 12-string guitar was a great influence. How about later, in the realm of folk guitar?īob Gibson. But Scotty Moore was one of my influences. He really didn’t play guitar – just hung one over his shoulder. Who influenced you to start playing guitar? In a discussion with Vintage Guitar, McGuinn discussed his career, his instruments, and his approach to recording. For example, “Last Payday at Coal Creek” is reworked as “No Payday in Detroit.” Beyond tunes renowned (“Yellow Rose of Texas”) and obscure (“South Australia”), both include compositions updated lyrically by McGuinn to fit the times. Since 1995, McGuinn has been recording traditional folk material offered via his website,, and he re-recorded 100 tracks from The Folk Den Project: 1995-2005, before doing the same for the Twentieth Anniversary set. McGuinn is still making a difference, as evidenced by his recent four-disc release, The Folk Den Project: Twentieth Anniversary Edition, which sees the singer/guitarist covering folk tunes written/performed by others in an effort to keep the material in the spotlight. ![]() Few ’60s rockers have had the lasting influence of the Byrds’ Roger McGuinn, whose 12-string Rickenbacker “jangle pop” sound influenced the likes of Tom Petty and REM, and helped blaze the “country rock” trail later perfected by the Eagles, Poco, and others.
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